Though the difference is subtle, removing this shiny section of plastic (on the left) stumped several expensive out-of-house retouchers. Using a process called frequency separation, along with other tools, I was able to flawlessly correct all 14 images in one day.

I pride myself on my unwavering attention to detail; always learning new techniques, expanding my set of retouching tools and developing ways to hone the quality of my work.

Bellow is an image of a car-seat color matched to two fabric samples. This involves a color balanced light box, knowing what the photographer is shooting at, a truly calibrated monitor, print production and a bunch of less interesting stuff in-between. I played a key role in perfecting this system at Evenflo.